PTV Shehnaz Shaikh

“HASINA KI HEROINEY KIYON ITNI SHAITAAN HEIN۔۔۔?
KABHI TOU HEIN SHEHNAZ SHEIKH KABHI MARINA KHAN HEIN۔۔۔۔”

By Raju Jamil 

JamilRajuSmall

Sometimes, it’s truly melancholic to remember the past and the days you saw nurturing the people from whom we were inspired and have many reasons to bless them and thank them for entertainment par excellence.

I am going to talk about a blast from the past..today. One still around looming large in our memories from our Showbiz Media….a la Serials; Shehnaz Shaikh:

She came, she saw, she conquered and ran away….!!! I am sure she has reasons but I will contest them when I meet her someday..though I’ve met her just twice after her great rise in 1982-83.

SŚ was the find of Shoaib Hashmi from his flop TV series “Baleela” (a car actually with various interesting situations..but a bit monotonous..which SH himself confessed)….

While “Baleela” failed, Shahnaz passed and catching Hasina’s eyes, she was the obvious choice for the role of ‘Sana’ … Hasina had in mind for her…..what would turn out to be one of the most popular and infectious serial of Indo-Pakistan; “Ankahi” primarily due to the magnanimous performance by SŚ so effectively and candidly that the serial till carries its viewer value. It has been re run umpteenth times. A very large majority in Pakistan and India and other parts of the world where the Indo-Pak dwellers are settled….have VHS/DVD of “AK”.

SŚ as I saw her during the recordings of ANKAHI ( I did but two episodes with Shehnaz, Salim Nasir, Jamshed Ansari, Tabassum, Badar Khalil and Azra Mansoor…but I was, through the recording of entire serial, involved in something or the other—both; Mohsin Ali and Shireen Azim being close friends–that the team became almost a family for those two months or so)…..was exactly “Sana” in real life too…. chirpy, serious, moody, wisecracker, bold, daring and caring. She didn’t have to act…she just had to remember her lines.

Javed Shaikh once told me that when SŚ was born, God had planned ANKAHI then only with SŚ as “Sana” and I agreed with him.

Within a span of short time…came “Tanhaiyan” with doubled SS’s popularity but in this 2nd blockbuster of Hasina within few years, SŚ was a bit different from AK’s Sana….and to transform into a totally different personality in “Tanhaiyan” thus also keeping the viewers closely attached to the serial….was yet another greats fete accompli of SŚ. I know once an artiste creates an impact…it is vey difficult to create another from a fairly different role and character. But SŚ excelled there too and superbly alongside a new entry the shy young girl Marina Rehmat Khan.

But the typical disdain that SŚ vanished after “Tanhaiyan” ( at lest I don’t remember any play or serial of SŚ after Tanhaiyan )…and left the upcoming and heading towards success—–Pak Showbiz World—-at bay! Wile people never forgot her….and still remember her. In fact during my overseas visits and at GTs, SŚ is very fondly remembered and many posing questions on me seeking the reason of her sudden exit…and I never had any cogent answer or thought on that.

However, I always toyed with my own conclusion that maybe it was the change of city from Karachi back to Lahore after her marriage……and her becoming busy in domestic chores and her other interests towards education that took over. That’s what I feel or think. I met her once at the Beaconhouse H.O in Lahore….and saw her quite deeply involved in her projects etc. She didn’t encourage to talk about the decade back ANKAHI and TANHAIYAN days….but met quite warmly with all smiles…..

SŚ was a treasure that Pak Showbiz lost…but of its wonderful history and archives, it smiles and feels immensely proud that there was this girl Shehnaz Shaikh….who came, who saw and who conquered in just few years to leave an impression and memories to last decades and decades.

Thank You Shehnaz Shaikh. God Bless You…are will always be in our kind thoughts and mind for providing us, though in two serials, yet a gargantuan entertainment which continues to make us smile, laugh, ponder and think about those great days which are so dearly remembered because of the people like you in Pak Showbiz then…..something which doesn’t seem to be brewing in current era to be talked about after 30-30 years from now by someone.

Raju Jamil,
Karachi.

With Shahnaz at Peeru’s – November 2011… Lahore

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Karachi Khabarnama On PTV of Late 60s

KARACHI’S KHABARNAMA ON PTV OF LATE 60’S

By  Raju Jamil
JamilRajuSmall

Khabarnama1960s

At dot 9PM a certain music to ears signature tune use to alert the city that “KHABARNAMA” is on air..live initially and for the first time starting from. PTV Lahore as a six-seven minute “Khabrain” read by Tariq Aziz and a bit later by, I think, Kunwal (Hameed) Naseer.

By 1967 Nov when PTV came to Karachi and each of the four stations then (Lahore, Rawalpindi, Dacca and Karachi) had the same news timing but limited to 25 minutes and about 5 minutes for “mausum ka haal” and sports news. That was in Urdu. And all stations named it “KHABARNAMA” which continues…with slight changes. Dacca had Bengali News besides English News…but till PTV went on Nationwide Telecast in mid-70’s, each station had their own news slots. Lahore had Urdu, Punjabi and English. Karachi had Urdu, English and Sindhi, Rawalpindi had only Urdu and English. Dacca had English and Bengali.

The Nationwide telecast made entire Pakistan see URDU KHABARNAMA and English News read from Islamabad TV centre—-through all stations. Regional News continued only at the concerned stations. Now, they have a full Regional Network…a separate Network known as PTV-National…which covers all the Regional Languages and programs. There is PTV-News also and doing great.

The English News also came to limelight on regular basis by 1966. Tariq Rahim is the only name which comes to my mind being English newscaster from Lahore. From Rawalpindi, who can forget the one and only Shaista Zaid who went on to receive PTV Lifetime Achievement Award in 2007.

News meant news…not views and the manner, tone, ambience and presentation and simplicity on dress code, make up was the kind that has made home in the minds and thoughts of those who really enjoyed the news telecast both; Urdu and English. We also remember the beautiful and wonderful smiley faces and the tone so soft and the news of any kind; be of a win, be of a death of someone famous, be of finance and stock, be of sports, be of anything—the tone was always controlled and not pitching it high, high, higher and higher like we see and hear today that even a news of some death being given currently on the dime a dozen networks—-appears to be some huge achievement when the newscaster shrieks and variates his or her tone like in some drama.

The good old days of PTV KHABARNAMA and the word “breaking news!!” Would make us freeze wherever we were seated or standing with TV on. Now…..the word “breaking news” appearing on the tube is like it’s going to be morning tomorrow then afternoon then the evening and then the night…which even a KG student would know. Breaking News has been made a laughing stock now. The breaking news on PTV during those merry merry days of TV…meant and scored the importance without sponsorships. The probability to switch the TV on and the first thing to see is some advert….just like we experience now….then was almost NIL.

The newscasters I remember (and a few who have been known to me) were; Zubairuddin (typical hair style he had) , Nighat Afreen (still as attractive as ever and settled in States) , Khalid Hameed, Mahpara Safdar, Zahida Butt, Safia Kazim, Surraiya Shahab, Yasmin Wasti and Arjumand Shaheen sisters of TV artiste Shehryar Zaidi, Azhar Lodhi, Absar Abdul Ali (writer of the famous series “Sang e Meel”) , TV and film artiste Bindya (under the name of Rubina Alkhammass) Saba Faisal, Shaista Zaid, Hareem Arif, Saeed Ahmed Nasim…the list goes on. My apologies if I am forgetting some names and I would love to add some here if anyone may remind me with conviction on names missing.

Listening to the news those days….was fun and kind of entertainment one wished would extend…contrary to the current situation that people wait so eagerly for the news to end because of everything being blown sky high.

Those who have seen and heard the real KHABARNAMA of PTV full of attraction and not totally obvious that it’s being telecast not for you but for money/sponsorships…something which excels that even headlines are sponsored.

Long live PTV….now in its 54th year.

PTV KARACHI DID ITS UNCELEBRATED GOLDEN JUBILEE ON 2ND NOV 2017.

Raju Jamil
Ptv debut: 2nd Dec, 1967 from Karachi.

Posted in Media in Old Karachi | 1 Comment

St. Patrick’s High School, Karachi.

StPatsSecondaryBuilding1960

Secondary school building of St. Patrick’s School. The photo is from before the 1980’s
It was designed by Rev. Fr. Hillary Lardinoye OFM., the Dutch priest-architect. He also designed St. Joseph’s College for Women and St. Lawrence’s Girls School.
(Information courtesy of Menin Rodrigues, an alumnus of St. Patrick’s School.)

St. Patrick’s High School was established in 1861;
It is located on Rafique Shaheed Road (Formerly Sangster Road) Saddar. Karachi.

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Dow Medical College Inauguration 1945

DowBuildingInaug1945

INAUGURATION OF DOW MEDICAL COLLEGE BUILDING 1945.

Amin H. Karim MD
Dow Class of 1977

November 1945:  The inauguration of the building of Dow Medical College, Karachi. Minister of Sindh Mr. Pir Ilahi Bux addressing the audience.  Governor of SIndh Mr. Maudi (seated) inaugurated the Building. 45 students were later admitted to the first batch among them one Muslim girl named Ms. Fahmida Shaikh.

Dow Medical College (now Dow University of Health Sciences) is 72 years old and
Civil Hospital Karachi is 122 years old.
These 2 institutions are the icons of Karachi and their history parallels the history of
Karachi.
Source: Souvenir published by DMC at their Golden Jubilee. 1998.
Posted in Educational Institutions of Karachi, Uncategorized | Leave a comment

List of Cinemas in Karachi

Complete List Cinemas in Karachi

Amin H. Karim

A complete list of cinemas in Karachi since 1917.
In 1917there were around 119 cinemas in Karachi that has been reduced to just 34 in
2007.  1977 is considered as a peak year of cinema industry in Karachi when 110
cinemas were running with full occupancy

Cinema’s Locations and Status
Afshan Cinema, Waheed Murad Road, Open
Alif Laila Cinema, Saeedabad, Closed
Amber Cinema, Bahadrabad, Closed
Anjuman Cinema, Mohammad Ali Jinnah Road, Closed
Arshi Cinema, Federal B. Area, Closed
Badar Cinema, Kiamari, Closed
Bambino Cinema, Garden Road, Open
Capital Cinema, Saddar, Closed
Capri Cinema, Mohammad Ali Jinnah Road, Open
Casino Cinema, Malir, Closed
Chamman Cinema, Pak Colony, Closed
Chandani Cinema, Sabzi Mandi, Closed
Cineplex 1 Cinema, Clifton , Open
Cineplex 2 Cinema, Clifton , Open
Crown Cinema, Lyari, Open
De Luxe Cinema, Maripur, Closed
Delight Cinema, Sher Shah, Open
Dilshad Cinema, SITE, Closed
Dreamland Drive In. CLosed
Empire (Qismat) Cinema, Mission Road, Closed
Eroz Cinema, Waheed Murad Road, Closed
Falcon Cinema, Maripur, Closed
Filmistan Cinema, Teen Hatti, Closed
Firdous Cinema, Liaquatabad , Closed
Fleet Club Cinema, Saddar, Closed
Ghalib Cinema, Korangi, Open
Glaxy Cinema, Liaquatabad , Closed
Godin Cinema, Waheed Murad Road, Closed
Gulistan Cinema, Landhi, Open
Gulshan Cinema, Malir, Closed
Gulzar Cinema, Malir, Closed
Hollywood Cinema, Bahadrabad, Closed
Irm Cinema, Liaquatabad , Closed
Jubilee Cinema, Waheed Murad Road, Closed
Khayyam Cinema, Nursery, Closed
King Cinema, Mohammad Ali Jinnah Road, Closed
Kiran Cinema, Manghopir, Open
Kismet Cinema (See Qismet) Mission Road. Now closed.
Koh-e-Noor Cinema, Waheed Murad Road, Closed
Kumar Cinema, Napier Road, Open
Lalazar Cinema, Qaidabad, Open
Liberty Cinema, Nazimabad, Closed
Light House Cinema, Mohammad Ali Jinnah Road, Closed
Luxery Cinema, Shara-e-Faisal, Closed
Lyric Cinema, Garden Road, Closed
Lyric 2 Cinema, Mohammad Ali Jinnah Road, Closed
Mayfair Cinema, Saddar, Closed
Majestic Cinema, Mohammad Ali Jinnah Road, Closed
Marri Drive-In. Closed
Masood Cinema, Korangi, Closed
Mehar Cinema, Landhi, Closed
Mehfil Cinema, Mohammad Ali Jinnah Road, Closed
Mehtab Cinema, Landhi, Open
Metro Cinema, Orangi, Open
Mizrab Cinema, Liaquatabad , Closed
Murree Drive Inn Cinema, Rashid Minhas Road, Closed
Musarrat Cinema, Nazimabad, Open
Nafees Cinema, Malir, Closed
Nageena Cinema, Kiamari, Closed
Nargis Cinema, Qaidabad, Open
Naseem Cinema, Korangi, Open
Nasheman Cinema, Waheed Murad Road, Open
Nasreen Cinema, Korangi, Open
Nayab Cinema, Nazimabad, Closed
Naz Cinema, Mohammad Ali Jinnah Road, Closed
Nering Cinema, Liaquatabad , Closed
Nigar Cinema, Juna Market, Open
Nishat Cinema, Mohammad Ali Jinnah Road, Open
Noor Mehal Cinema, Napier Road, Closed
Novelty Cinema, Teen Hatti, Closed
Odeon Cinema, Saddar, Closed
Opera Cinema, Federal B. Area, Closed
P.A.F. Cinema, Drigh Road, Closed
P.N.S. Bahadur Cinema, ?, Closed
P.N.S. Dakiar Cinema, ?, Closed
P.N.S. Dilawar Cinema, ?, Closed
P.N.S. Hamaliya Cinema, ?, Closed
P.N.S. Karsaz Cinema, ?, Closed
P.N.S. Shafa Cinema, ?, Closed
Palace Cinema, Saddar, Closed
Paradise Cinema, Saddar, Closed
Piccadilly Cinema, Malir Cantt, Closed
Picture House Cinema, Mohammad Ali Jinnah Road, Closed
Plaza Cinema, Mohammad Ali Jinnah Road, Closed
Prince Cinema, Mohammad Ali Jinnah Road, Open
Princess Cinema, Mohammad Ali Jinnah Road, Closed
Qaisar Cinema, Waheed Murad Road, Closed
Qismet Talkies; Used to be Empire CInema. Mission Road near Urdu College.
Queen Cinema, Mohammad Ali Jinnah Road, Closed
Raj Mehal Cinema, Sher Shah, Open
Rang Mehal Cinema, Sher Shah, Open
Reagle Cinema, Saddar, Closed
Regent Cinema, Nazimabad, Closed
Relex Cinema, Nazimabad, Closed
Renu Cinema, Garden Road, Open again in 2008
Reu Cinema, Saddar, Closed
Rex Cinema, Saddar, Closed
Ritz Cinema, Mohammad Ali Jinnah Road, Closed
Rivoli Cinema, Waheed Murad Road, Closed
Roxy Cinema, Napier Road, Open
Rubi Cinema, Saeedabad, Closed
Saba Cinema, New Karachi, Open
Sanam Cinema, Malir, Closed
Sangam Cinema, Drigh Road, Open
Sangeet Cinema, Korangi, Closed
Scala Cinema, Garden Road, Closed
Shabana Cinema, Malir, Closed
Shabnam Cinema, Drigh Road, Open
Shalimar Cinema, Nazimabad, Closed
Shama Cinema, Drigh Road, Closed
Sheesh Mehal Cinema, Landhi, Open
Shehzad Cinema, Korangi, Open
Shirin Cinema, Korangi, Closed
Shirin Cinema, New Karachi, Open
Society Cinema, Lasbela, Closed
Star Cinema, Mohammad Ali Jinnah Road, Closed
Super Cinema, Napier Road, Closed
Taj Mehal Cinema, Mohammad Ali Jinnah Road, Closed
Tasvir Mehal Cinema, Korangi, Open
Venus Cinema, Liaquatabad , Open
Zeenat Cinema, Korangi, Open
Michael Ali This cinema was formerly known as the Krishna cinema and the Naz cinema opposite was called the Radha in pre-partition days. Both were named after the children of the owner who migrated to India

Source Wikipedia

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Cinema Halls of Karachi

AH! THE CINEMA HALLS OF KARACHI-I MAY NEVER FORGET……………
By Raju Jamil

JamilRajuSmall

I talk of 1960 the first ever time I was allowed to go to a cinema hall but only the Sunday Morning Special or Matinee or at best–1st show i.e. 6 to 9 but rarely! and never the late till 1968!

I lived in Garden Road Officers Colony when I started going to the movies alone. I mean from home. joined by my close (neighborhood) fiends like Hafeez and Puppoo or my Dadi Amaan and Phoppi–in a cycle or motor rickshaw. The fortunate point was that there were many cinema halls relatively closer to the Garden Road Colony. near or opposite the Karachi Zoo. Nearest and walking distance were Nishat, Naz, Lyric and Bambino. Nishat was heavily influenced by the Income Tax Department—being situated right next to it. The hall was popular with families and always had Urdu movies. The ones that did golden jubilee at Nishat were; ASHIANA, EID MUBARAK, QAIDI, EK TERA SAHARA, CHRIAGH JALTA RAHA, and lots more. ASHIANA went almost to a platinum jubilee.

Nishat was a well furnished cinema hall with a certain local ambiance which could have been depicted in some Razia Butt novel with Aamir as hero and Naureen as heroine! The air-conditioned forced many to put on their shawls or warm themselves with tea/coffee. The upkeep of the cinema hall was par excellence.
Everything glittered. Now….it’s like dead sea scoves.

NAZ Cinema was not air-conditioned but Aslam still pulled the crowd by choosing to release the in-demand-story movies only. He made good amounts through ARMAAN the first Pakistani movie which did platinum jubilee there…earlier. It was HEERA AUR PATTHAR of Film Arts again which did golden

. This did box office at the Naz Cinema. Where now stands NAZ PLAZA. as the Video killed the NAZ Cinema much to the pressure of building plazas and complexes. then!

I remember LYRIC cinema–dearly for the fact that me and my neighbor buddy–Hafeezur Rahman, went to the FIRST DAY (Eid) FIRST (Matinee) SHOW, OPENING of the cinema in 1960 on the premiere of GOLAITH & THE BARBARIANS. I remember LYRIC more dearly–for the fact that it was the first cinema hall of Pakistan which had everything modern… L with words ‘yrics’ in between. A movie at LYRIC and hot spicy lunch or dinner at the adjacent PEHALVI restaurant–was fun fun fun!

LYRIC died a few years ago -:(

I can never forget the ‘student concession’ ticket we purchased for Rs.1/- for GUNS OF NAVARONE at Lyric cinema…and what more fun could there be–when we saw construction work taking place right next to Lyric and bang opposite to the (Goolbai) hospital I was born on 14th August-1949… yes…the
giant—-BAMBINO was coming up!

BAMBINO with the name which translates to a child in Italian…was in fact a huge cinema hall which also had the penthouse of its owner on the top floor.
It was opened with the premiere of “SOUTH PACIFIC” in Pakistan and had the honor of being the FIRST cinema in the country with the facility of 70MM screen
and projection system..something unique for the Region then! “SOUTH PACIFIC” drew large crowd only due to the fact that BAMBINO was something like a new picnic spot for the viewers who did not care about the movie (which had 21 songs as it was the most popular musical in the history of American cinema… and I still remember that song..almost by heart “I AM GONNA WASH THAT MAN RIGHT OUTTA MY HAIR” from the movie..which…was quite boring yet a must see then as the craving of a cinema-goer was at its height to visit the NEW “BAMBINO” cinema which had ICE COOL cooling, best restaurant, heavenly ambiance and equally an atmosphere in the hall to reckon with…where one would speak softly, laugh whole heartedly and cry quietly….watching the movie. Not like the situation
prevailing now…where exchange of sms during the show is like an integeral part of the story of the movie!). Speaking of LAUGHTER…it was at BAMBINO that
myself and PTV K
Producer Ishrat Ansari almost fell off our grand circle seats with fits of laughter..when we went to see “THE PARTY” of Sellers after completing
the days work for a TV play at PTV-K.
PLUS that DANCING/Hip Shaking Lady shaped through NEON lights atop the large
BAMBINO sign also goes down in history gliterring in roshniyoun ka shehar Karachi giving Moulin Rougue looks of Paris. Bambino is the only cinema to have hosted Field Marshall Muhammad Ayub Khan and his Cabinet for a 6 to 9 show of “LAWRENCE OF ARABIA” which I had the privilege to witness with Ayub Cabinet–my father, then, being Personal Staff Office to Ayub Khan. There were three Generals with Ayub Khan; Gen Burki, Gen Shaikh and Gen.Musa at the Bambino to watch the movie on Colonel Lawrence! And the next super movie which went box office on ticket sale for three
consecutive months–was CLEOPATRA and there could be no cinema hall in Karachi then..which could show CLEOPATRA then BAMBINO!
SUMMER HOLIDAY…was another movie which became a pillow talk in Pakistan and people thronging BAMBINO Cinema for tickets!

BAMBINO continues its crusade despite boom bassay ya humma aye! at that most sensitive spot of Karachi on some passive issues suddenly cropping up and
requiring rallies etc! which must pass through Bambino Cinema’s sight!

A few years after BAMBINO arrived, its marraige with the adjacent LYRIC cinema produced a beautiful child in shape of SCALA cinema…something like a home
theatre (and a dream now!!) where the limited seating and good ENGLISH language movies…protected the cinema from becoming a fish-market! where the
airconditioning was at its best, the ambiance like you may have witnessed at some cineplex in Dubai or KL..!! in fact better then that!
SCALA died its own death…having become sick…of the impact of unconventional movies and its atmosphere proving to a cancer to that beautiful mini hall
having velvet covered seats and a certain geity.

Coming down towards the Trinity School area from Zebunn’nissa street….we would land up at the biggest cinema of Pakistan “RIO” which had the capacity to seat 1100 in that huge hall with an equally huge parking within its boundary walls…right in front of Karachi’s most loved “PALM GROVE HOTEL” where they now have some shopping mall and plaza without adequate power supply and with huge rent! something to which RIO also fell out and died after trying to
survive as an auditorium for some years till building cancer got it too 😦

RIO cinema gave us many reasons to feel contented with movies like “COME SEPTEMBER” which broke all records of the American movies in Pakistan by running
for six consecutive months..most house full specially on weekends and sundays. Cinema rules back then..were strict! If the movie was classified as “FOR
ADULTS ONLY” nobody of below 18 dare go to the hall to buy tickets or even try to enter the hall on someone’s ticket! I remember…when “BLOW HOT..BLOW
COLD” was released in RIO right after “Sexy Susan Knows How?” … many tried their hard to get access to the hall using local area police influence
even…but strict monitoring prevailed!

RIO cinema ..I should always remember…was the place where first ever unofficial PTV Awards Ceremony was held under the aegis of MEDORA OF LONDON in
February-1970 where “KHUDA KI BASTI” won 5 awards….on Production (received by Ishrat Ansari and Rasheed Umar Thanvi..jointly), Best Actress received by
someone on behalf of Tauqeer Fatima who died in between the recording of serial in 1969), Qazi wajid as Best actor and yours truly received the Best
Supporting Actor’s award…from the CEO of Medora of London in Karachi then.

RIO should not have died….!

Going very very far back…not many would know that we had Mayfair cinema right next to RIO towards the TOPSY ice cream/soft drink outlet on that road
turning towards the Governor House when we come from Zebunnissa Street and pass the RIO now…
It was an open air cinema where…I distinctly, remember having watched Dilip Kumar’s movie which has this song “AIE MERE DIL KAHIN AUR CHALL” as I will never forget that song and faint in my memory yet clear–that old woman running on the hill when she hears Dilip sing that song!….and i am talking of 1958 when I was under 10 !

Driving past RIO and moving towards AVARI (AVARI Hotel site is the exact plot where we had the huge house of the C-in-C of Pakistan Navy..then..in 60’s) when you pass by the signal towards Metropole Hotel…and just before it on your right…was the most sought after–and favorite cinema hall..of the then
teenagers as PALACE Cinema was attributed to be the cinema hall free of horror, sad, and mystery movies. All the films it ever showed were FUN FUN FUN and family ones including ELVIS PRESLEY’s….which were regularly repeated as SPECIAL SUNDAY MORNING SHOW at 10 AM once in every 3 months…! PALACE was not a large cinema hall….it had an approx of 250 seats and on a single floor which slided from grand circle towards the dress circle. It had a wonderful ambiance and was the most reckoned cinema hall of Christians also. PALACE died almost a decade+ back succumbing to the pressure of wedding halls which promised far more “BIJNUSS” then screening the films…!

Its strange that CLIFTON area never ever had any cinema hall…till as close to the famous and the only…”Lovers Bridge” which was the landmark of Clifton just before the famous BRIDGE Stores leading towards the locality BATH ISLAND where the Government Officials had their official bungalows almost close to the seaside!

Going back right at the heart of Karachi in the hustle bustle small scale business (retail) area of Karachi…adjacent to BOHRI BAZAR and where now
stands…SADDAR POST OFFICE…and there at the small and congested lane…stood the glorious cinema hall..owned by Mr. Mobed….”CAPITOL” where I saw the best of the war, Roman era and Victorian era movies which I will never ever forget. CAPITOL was a cinema which had everything a cinema-goer may want as peace and tranquility to watch the movie with interest and full understanding. It was the only cinema in Karachi where the entry was not allowed..even if you had an advanced booked ticket..if you were F.I.V.E minutes late from the start of actual movie..as the movie usually use to start after a few cartoons of Woody Woodpecker followed by PAKISTAN KA TASVEEREE KHABARNAMA in Talat Hussain’s voice…a promo of the Govt. on the projects undertaken and their progress.
CAPITOL management went an extra mile–when they constructed the images of special CHARRIOTS at both the walls of the cinema hall inside when the 11 Academy
Award winner “BEN HUR” was released in Pakistan in 1960. I distinctly remember having met Zulfiqar Ali Bhutto Sahab and his entire family; Nusrat Saheba,
Mohatarmma Benazir, Sanam, Murtaza and Shahnawaz..at the CAPITOL cinema when I went to see THE SIGN OF A GLADIATOR in 1964..and when I shook hands with Bhutto Sahab and told him how happy I was to meet him…on which he smilingly asked me

“Do you know who a Gladiator is?” and I replied “A Roman fighter, sir”.

I can never forget the CHOC BAR of Capitol Cinema…priced EIGHT ANNAs (fifty paisa) which was actually a real chocolate stuff not just coated by a thin slice of Chocolate….it was huge..somewhat half more then the magnum ones we see currently. Enjoying that CHOC Bar at Capitol during interval was as much
fun as watching the movie..and perhaps..one cogent reason preferring Capitol for movies..!

CAPITOL had a twin brother too…just about a few furlongs towards the Karachi Passport Office where now..survives a hotel…but..with the name of that twin brother…”PARADISE” where…we saw some of the most exciting movies like “PICNIC”,”THE NAKED MAJA”,”REBEL WITHOUT A CAUSE”, FOR WHOM THE BELL TOLLS, GONE WITH THE WIND, ULYSESS, THE THIEF OF BAGHDAD, 7th VOYAGE OF SINDBAD, TOM THUMB etc etc……! PARADISE was managed by my good friend, the son of the owner of Capitol/Paradise…DANNY MOBED. He was a wonderful person. He lived nearby my house at PECHS Block-VI (Hill Park) and always obliged me and my friends with free passes for our favorite movies…and also treated us to patties and cupcakes besides coke! Many Government dignitaries have visited PARADISE Cinema as the guest of Mr. Mobed..and particular one I remember is Moulvi Tamizuddin Khan…Speaker of the Constituent Assembly of Pakistan….!

Why PARADISE & CAPITOL didn’t survive…is perhaps on account of the poor health of Mr. Mobed…who wanted to maintain the grandeur of the cinema halls…but was failing due to ill health while Danny alone was not capable to handle the spices which had started to add themselves in the cinema halls of
Karachi which also clearly showed that the good days of cinema in Karachi are approaching their end 😦

If you are driving from Governor House towards Metropole area…right in front of the round about…which use to be the MUSICAL FOUNTAIN shaped like a SITAR, stood the famous and by the name…”REX” cinema adjacent to OOSMAN CHAMBERS and the building which then..had the office of the famous advertising company “LINTAS” (1960-70)….and REX Cinema always had melodramatic and comedy movies…and it literally had an old jallopy parked on the terrace of the main entrance area to promote and celebrate the success of “THE GREAT RACE” the movie..I saw 4 times in two months at REX cinema. Coll atmosphere…huge screen covered by velvet curtains…slowly moving to reveal the screen….with lights going low slowly…created a magic spell each time we watched a movie there. And it was in 1960-64 that i watched umpteenth movies at REX as I use to live bang opposite to the cinema hall at President’s Estate (Now Governor House enclave towards Trinity Church area) and my buddy…Laeequr Rahman a pilot on PIA Jumbo 747) was always my partner..with our sisters…also joining
us..for movies like COME SEPTEMBER etc..)

When REX got sick…doctors prescribed medicines…which were suggestions to make it survive by converting it into an auditorium…which was adopted by the owners and we did see a few upcoming private schools capitalize on REX AUDITORIUM for their functions…but buildingbaazi prevailed…and killed the hall for some mall or office blocks…..and cinemas kept on dying!

Coming down from Jinnah’s Mazaar towards Bunder Road…there was this ( and still is..) a huge Automobile parts market…and right in its centre was the ever popular PLAZA CINEMA….and the area too..is popularly known as PLAZA QUARTERS also…where stands Ardeshir Cowasjee’s favorite BVS MAMA PARSI School and the famous SAEED MANZIL the road of which takes you towards the famous JUBILEE CINEMA (which survives…!).
PLAZA CINEMA was an Urdu one…thronged with movie goers for its huge convenience on the availability of transport–specially after the late night (last) show…where Rickshaws, Taxis and even Buses plyed almost 24 hours! Watching movie was fun there…as the appetite for special PANI PURI outside just
beneath that huge tree..which still stands tall…with Dahi Barray Ki Chat..was perhaps the best of the vicinity! I saw “INSAAN BADALTA HAI” at Plaza…which was perhaps..Waheed Murad’s debut with a small role!

Right across PLAZA cinema or parallel to it…towards the Misquita Gardens & Ankelsaria Hospital..stood a fairly big building having RENO Cinema…the odd or relatively boring part of the hall was that the movies could only be well enjoyed in winters–RENO was not an airconditioned hall 😦 but quality movies
were released their on sharing basis…like the release of SHARARAT *ing Mohammad Ali and Laila..and it was quite usual that a movie…in 60’s & 70’s (possibly even now at some places) was simultaeneously released in several cinema halls…that the four to six reels were swiftly exchanged from cinema to
cinema that the show must go on! RENO too…died! its natural death…!

Moving towards the frontage of Misquita Gardens…we would arrive at the area popularly known as PLAZA QUARTERS…but I termed it (and it became popular then in very early 60’s…) as CINEMA LANE…on account of the fact that three cinema in a row stood there; GODEON (I remember its popular slogan “GET GOING THE GODEON’s WAY”), EROS & RIVOLI, ….and by just a turn towards right..after the last cinema hall Rivoli…stood right in the corner….another cinema
hall…”KOHINOOR”.

I distinctly remember that before the main entry to GODEON’s stood the PLAZA Quarters branch of UBL (which is still there…) and this cinema hall showed only English movies…like “VIKINGS” and “A FAREWELL TO ARMS” which I saw there….It was a well decorated cinema and had the best sandwiches at the tuck shop it had on 1st floor grand-circle area. I also saw “GIDGET” series of Hollywood’s teenage heart-throb movies….of which “GIDGIT GOES HAWAIN..” I found the best!

GODEON too became history………..!

EROS cinema belonged to my first (Happy Home) school mate Ejaz….who had this heroic of showing his richness by buying dozens of toffees and chocolates at school’s tuck shop and while distributing them—inviting us to the movies…free…at his cinema hall. I saw “BEDARI” there and even met Rattan Kumar who was specially invited by Ejaz’s dad for the show as Rattan was a child star then and a hero of that one of the earliest movies of Pakistan….in 1957-58.

RIVOLI came much later…EROS & GODEON…but RIVOLI was far far more grand with ambiance, pomp and show…having velvet covered reclining seats and ice cool
aircondioning. Agha G.A. Gul’s prize production “NAILA” was premiered there…which ran packed house for several weeks! Meena Kumari’s movie “PAKEEZA” was premiered there…and created quite a stir! Rivoli did not survive…it died when there were no sufficient funds with the owners to buy some important part of that cinemascope projector…which had done it’s worth and needed a replacement. It was quoted to be Rs.150k THEN! the cost of that part!

Moving towards Jubilee area of Hoti Market….the first turning on right after RIVOLI….you would drive straight to the end where on the right side stood the beautiful “KOHINOOR” cinema–which then again, was one of the most enchanting place..geared up with all the necessities to make a viewer’s short stay of
few hours..comfortable and worthy to watch the movie with interest. I faintly remember that probably…I saw “DIL MERA DHARKAN TERI” *ing Waheed & Shamim Ara?

KOHINOOR lost itself under the severe pressure of finances required to keep it breathing! The owners preferred fast bucks by selling the plot..then to continue with the cinema hall–:(

Moving ahead…touching that mini roundabout of Hoti Market….we see JUBILEE CINEMA..which is one of the oldest cinema hall of Karachi and strangely this hall survives but through high chemistry medicines:) and this cinema hall I remember from late 50’s that in mid-sixties I watched movies like “SAAT LAKH”
and later…”GEHRA DAAGH”….of course having watched that super B&W (Indian) movie “BHAI BHAI” at the same cinema hall…and that song on Shashakila.. “AIE DIL MUJHE BATA DE” by Geeta Dutt…remains as infectious as ever! JUBILEE was not airconditioned–but the movies it released were!
Crossing—–Radio Pakistan, Karachi on Bunder Road and cruising towards Merewhether Tower…..you’d, then, pass by RITZ cinema opposite the shops of ATTAR & PERFUMES……where now stands a shopping arcade?? I saw quite many movies there…and it ended its crusade by getting messed up with Kung Fu & Karate and FANTOMAS kind movies!!

Continuing to proceed towards MWT….right near the famous JINNAH SPORTS (from where we use to buy – in 60’s – the 5 and half ounce Sialkot-made cricket ball) and just before the KMC building… stood the LIGHT HOUSE Cinema….which is still remembered ardently by those who use to regularly avail the
opportunity of watch rare–Pakhtoon movies on limited basis. With Badar Munir fighting his way to stardom from a tea-boy at the Eastern Film Studios..the ever increase of Pakhtoon productions…saw Badar Munir become a heart-throb for hundred of thousands of pakhtoons–that literally took over LIGHT HOUSE Cinema and the hall got popular by also the large number of shops herein referred to as “LANDA BAZAAR” right in its arms….and the cinema hall thrived without A/C and smelled of niswarr–the aromatic compound—till it too perished !

The journey continuing..we trudge past NAPIER MOLE BRIDGE a.k.a NATIVE JETTY…towards Jackson (Keamari) area…we had this NAGINA Cinema which, some say, belonged to Aslam Bhatti (of Dubai’s) family. The hall with limited seats had no airconditioning but most of the shows were houseful as the latest movies released in Karachi…were released simultaeneously at NAGINA due to a large number of populace around and at the Manora Island from where the cinema goer travelled by boats…to Keamari ( and still do ). NAGINA cinema was also popular with Dock workers! It vanished almost two decades back due to high costs and low income.
If we come to Karachi Airport and cross over to Malir Area…there were two cinemas halls which did thriving business on the main Malir Halt and Kalaboard Road…leading towards PASMIC or Thatta. I forget the names…but do remember having watched a few movies there too..with my school mate Aurangzeb Ishtiaq.

A little before the Old Airport in karachi…we have Shah Faisal Colony (former name being DRIGH Colony) across the railway line towards the divided portion of Faisal base (where Quaid-e-Azam landed when he arrived in Karachi on August-1947)….there was a cinema hall which I can never forget and which we nicked as SAVIOR because if you
were to face dissapointment at a city cinema hall on tickets being sold out…there was always an 80% chance that you would get a ticket at SHAMA Cinema…and reaching the cinema hall was relatively less costly..because of the local train and mostly a FREE ride! while the management at SHAMA Cinema was smart that they started the show at 3.30 PM i:e half an hour late then normal halls did. SHAMA was an ordinary cinema but now an extraordinary shopping mall for that locality!

Moving from Airport towards, the then, almost deserted road..which now is one of the busiest on traffic…which now takes you to Gulistan-e-Jauhar and Askari Housing near that huge petrol pump which also leads towards the Christian Cemetery and the National Stadium…the exact place where you see that MILLENNEUM MALL…stood “DREAMLAND” the FIRST ever DRIVE-IN Cinema of Pakistan…where..on its opening day…I can never forget…that the line up of cars..was almost from Drigh Road Railway Station on now.. main Shahrah-e-Faisal…(we have a flyover there now)….which covers miles…and people in the car…had thronged to see the first ever movie in drive in theatre which was “ANJUMAN” starring: Waheed Murad and Rani. DREAMLAND belonged to the JUNG family…..who lived at Queens Road. The theatre’s car park having a chained (with a mini pole) speaker was affixed on the window of driver’s side…and it was well synchronised with the screen image to provide clarity in sound and had the facility of low and high volume selection.

DREAMLAND had a wonderful cafe where sandwiches, light snacks and hot coffee, hot dogs, CRISPY CHIPS ( actual brand name..which also ran their advert. during the interval) and the first reel of the movie always being a cartoon of the DRIVE IN THEATRE attendant questioning someone on arriving at the theatre…and when the guest confirms that he IS a patron of DRIVE-IN….cinema, that cartoon character would bow and say “BE OUR GUEST!”

DRIVE-IN THEATRE….was a recluse too where…apart from watching movie under an open sky…many came with certain ‘ahd O’ paimaan……which became a rhyme and reason of many love affairs culminating to quite many marraiges–and some couples…grand-parents now, live happily ever after !!

There came two more DRIVE-IN theatres adjacent to Dreamland…but all the three died much to the persisting taunts of builders that such huge land is going waste with no public interest towards the movies and ambiance the theatres were trying to attract!

Gulshan-e-Iqbal then, not in sight–the cinema hall “NOVELTY” on the road leading from TEEN HATTI towards Nishtar Road…was a typical “ilaqaiee’ cinema hall where the majority were females viewers..mostly AAPAs and CHACHEEs….burqa clad..and quite vocal in tears and sobbing that I can never forget the shrieking
and loud cries of quite many females during the crises scenes of “DEWAR BHABI” I saw with my cousins at NOVELTY who lived nearby at Jehangir Road.

Crossing NOVELTY we move towards the Golimar area where we had this SOCIETY Cinema just before the bridge which takes us towards Rizvia Society. I saw Waheed Murad’s “SAMMANDAR” at Society Cinema because I could get that 6 to 9 show ticket at RENO. SOCIETY was not airconditioned but sort of conditioned to our requirements…as it had the best CHHOLLAYWALLA outside!

In Nazimabad…we had but ONE most popular RELAX cinema near Agha Juice Corner right adjacent to the huge roundabout with huge parking. RELAX the word attracted many but only during winters or at last show..for the hall was not airconditioned….but it did attract a large audience–mainly from Rizvia Society, Firdaus Colony
(behind Cafe Zaiqa) and the Nazimabad Number AIK also covering Sir Syed Girls College….near Muslim League Colony across pulliyas! NAYAB was another cinema in Nazimabad which had house full shows due to a limited number of seats….

When we move back to the city…we are fondly reminded of the TWO most visited cinema halls in the history of Karachi..

Yes–I talk of REGAL and ODEON right in the heart of Karachi near the main Abdullah Haroon (VICTORIA) Road…which is now the largest electronic & Mobile Phone market of Pakistan….which spreads till BAMBINO & LYRIC Cinema.

In early 60’s REGAL mainly showed Indian movies…I remember I saw “AIK DOU TEEN” starring Moti Lal there…I also saw “AWARA”, “AAB-e-HAYAT” and “AAS” and when, during the interval, the curtain of the cinema screen use to move or shuffle…I always thought that the filmstars behind..on stae are preparing to start their act! (that was in 1958 when I was 9 of age!)…..moving a bit ahead of REGAL towards the Church…on Saddar Road, we had this ODEON cinema with special gates and adequate car parking space…in that most cogested area of Karachi. I saw “CHIRAGH-e-ALLADIN (where I saw the Genie for first ever time and almost believed that they are in Karachi also….” and “ANDAZ” of India there (Indian movies were banned in Pakistan after the 1965 war!)…!

The Cinema hall around PECHS near Nursery Area close to main Shahrah-e-Faisal which was spread on almost 4000 sq. yds..was KHAYYAM where my first cousin’s husband Sultan Karamally, once established a restaurant also. The cinema hall was beautifully decorated and had splendid cooling. I saw “RAGEELA” and “PAYAL KI JHANKAR” there with my cousin Tariq Kuraishy. The cinema hall had the international standards including the best mayo roll one could think of!

KHAYYAM vanished….with huge memories still creating waves in the minds of many like me!

CONCLUSION:
==========
CINEMA HALLS in Karachi during late 50’s through early 80’s never witnessed voilence — there was always a certain family atmosphere in cinema halls.

Sometimes, home cooked parathas and qeema were served by khalas and phoppis during the interval.

The manner in which the ciname halls were decorated with wonderful facilities to the viewers–is beyond imagination now. The toilets were clean and aromatically fresh air was continuous. The airconditioning was smooth and chilly! The quality and quantity of food items was amazing. If you asked for a PEACH MELBA…you WILL get the PEACH with MELBA and not only “MALBA” that you do…currently with a nail size peach!!

The sandwich we ate during the interval at BAMBINO had so much cheese and chicken that you felt like smiling and clucking!!!
The Choc Bar at CAPITOL: was nothing but CHOCOLATE and not a thin choco slice with BARAFF..you get these days!

CINEMA going then—was not only fun but learning! and I feel sad that after 40 years from today—there will be not much to remember and talk sweetly about the cinema halls of Karachi!

Before curtains–and finally…I would like to take into account the TWO cinemas which were, then, in our country PAKISTAN and we lost them besides many good friends, moments and memories! I visited Dacca (now Dhaka) at the then East Pakistan…twice; in 1958 and in 1967 to my Khalu G. A. Madani, ICS who was Chairman D.I.T and during 1967 visit Chairman EP-WAPDA. In my both the trips..I had the opportunity to see movies at NAZ & GULISTAN Cinemas.. the twins…with NAZ being on GROUND floor and GULISTAN being on FIRST floor in same building…bang opposite to BAITUL MOKARRAM and D.I.T Building/The Dacca National Cricket Stadium (now known as Bangabandhu). At NAZ I saw “APRIL LOVE” of Pat Boone in 1958 with my cousins….and at GULISTAN…I saw Waheed Murad’s “EHSAAN” in 1967 with my cousin Hasan Madani (currently heading SHELL-Sri Lanka). I know my article states KARACHI on cinema halls…but somehow, I cannot forget these two cinema halls on my memory of cinema-going and umpteenth movies I watched from 1956 through 1981 in cinema halls…..99.8% in Karachi at the halls which are not there any more…but their memories shall live….till the memory I have and whatever scribed here….has not been taken from any scrap book or dairy…it ALL comes from my sweet memories—well maintained at some cell of the millions we have in our brains! and before MY memory gives up..I thought to pen down those merry & sad) moments of the cinemas of yesteryears in karachi in my bad to worst English prose….which, may not carry unique grammar or words but would certainly wreak lot of wonderful moments and memories for those who had this unique opportunity to enjoy movie going and fun at the cinema halls of Karachi….1950’s through late 80’s !

Karachi needs cinema hall, cineplexes and the concerned authorities must provide some kind of attraction to the investors to come forward and build good cinema halls and even drive in theatres!

I received scores of mails and comments via emails..many suggesting that I should send my article for publishing in newspapers.

Let’s see.

Raju Jamil.

Posted in Entertainment in Old Karachi, Uncategorized | 2 Comments

Uncle Urfi 1975

PTV KARACHI’S MEGA HIT COMEDY CUM TRAGEDY SERIAL OF EARLY 70’S
Uncle Urfi: (1975)
By Raju Jamil
JamilRajuSmall
PTV Karachi center was tense……..
There were no value scripts that it would take stakes on. Frustration led to an urgent meeting among stake holders and Hasina Moinwas asked or rather ordered to write something up as soon as possible to overcome the gloom and drought prevailing at PTV Karachi. Hasina had made it big with her eid plays and was kind of happily surprised on such immediate orders.
She took the challenge in stride and set her pen to task. Choosing the cast for the drama proved to be both easy and at some times difficult.
The easy part was the story had Shakeel as an obvious choice for the main character. The part that proved a bit difficult was to find a new girl to play the lead role of Bina – but more on that a bit later.
The name Uncle Urfi was chosen by Hasina herself. While Shakeel was chosen for the character, his looks still had something missing from the kind of character which Hasina had in mind for Uncle Urfi. Mohsin Ali – the wizard of PTV dramas then came up with the idea of Van Dyke beard a.k.a French cut and that is how Shakeel got the look he sported in Uncle Urfi.
Aunty Khurshid Mirza – the graceful lady of PTV was an unequivocal choice for Akka Bua with Rehana, Nahid Rafiq, Jamshed Ansari, Akbar Subhani and Khalid Nizami. Then there were heavy weights of PTV like Azra Sherwani as Ghazi Aapa and Qurban Jilani as Shaheed Bhai.
The serial went before the cameras of Faisal Nadeem and others immediately. The recording started with a bang and the first episode went on-air in February, 1972. It vibrated and connected with the different thoughts of Karachi viewers right away. In those days, the PTV system was such that any play recorded by any of the 3 stations of PTV viz., Lahore, Karachi and Rawalpindi was first telecast at the originating stations (say) from Karachi on Tuesday 8 p.m. It was then telecast the next Tuesday from (say) Lahore station and the Tuesday after that from Rawalpindi station. Therefore in those pre-VCR days if you missed a drama episode in Karachi then only way to catch it again was to catch take a train to Lahore and watch it there the next week and if you missed it there too then going to Rawalpindi next week used to be the only choice left. Telecasting dramas in 8 p.m. time slot was also a must thing for PTV in those days.
Uncle Urfi, the 26 episoder, took around 28 minutes each Tuesday for the viewers to remain literally glued to the TV sets. By the time the 6th episode aired Uncle Urfi had become the talk of the country…and this was all two episodes before that supreme moment when a new character of Bina was introduced. Bina was penned by Hasina, who had insisted that PTV should introduce a new face for Bina’s character.
I distinctly remember that Mohsin Ali , Jamshed Ansari and I had traveled several times to Karachi University’s famous Arts lobby in front of the Administration block in my Datsun-1600 to find Binafor Hasina Moin. We would politely walk around trying to judge and suggest to each other… a suitable face among the girls of Karachi University who could be offered the wonderful role of Bina. The honor of finding the right Bina, however goes to Hasina Moin herself.
One day she, all excited and literally gloating entered Shirin’s room and announced that she has located Bina and then entered a shy but highly composed and charming girl, Shahla Ahmad a student of the Institute of Business Administration (IBA) at Karachi University who for the history of PTV would be remembered as Bina of Uncle Urfi.
The role was so beautifully played by Shahla that I saw people literally in tears when her character took her own life at the end of the serial in the last episode. Add to that, the role of her greedy father played by Imtiaz Ahmed (brother of famous Indian film star Iftikhar) became the icons of Uncle Urfi.
The pick of the lighter side of the serial however, remains my dearest friend, late Jamshed Ansari as Hasnat bhai. Interestingly, the name Hasnat was given by Hasina to tease my buddy Hasnat Ahmad brother of Shamim Hilali and a PTV Karachi producer then who left us for heavenly abode some 4 years ago. Hasnat Ahmed was a darling of all and great company. He is also remembered fondly from Gup Shup of PTV-Lahore and Fifty-Fifty of PTV-Karachi. He was a great talent.
Uncle Urfi bears immense importance to me on personal grounds. It made me become one and perhaps the only artiste at PTV who has played two different characters in one serial with a gap of 10 episodes. I played an SHO Police in the 1st and 2nd episodes. Later in 12th, 13th and 14th episodes I played as a suitor toShaheed Bhai and Ghazi Aapa‘s daughter Azra (Rehana) and a flirt to Afsheen (Nahid Rafiq) also having tete-e-tete with Khalid Nizami. I remained a close team member of Uncle Urfi from 1st till the last episode.
For me it became almost a family affair. In fact when the recording of the last episode ended there was a visible gloom on everyone’s face. It looked like as if some tragedy has happened or will happen and it was indeed a tearful farewell we had in June of 1975.
Shakeel is still around as robust as ever. I have no idea where Rehana is? I know Khalid Nizami is in USA, Shahla in Canada,Nahid Rafiq is probably in Karachi and I am still in touch withAkbar Subhani and my car Datsun-1600 which Shakeel drove in the first episode after landing at Karachi Airport from that French Airliner “UTA” DC-10 jet – is somewhere and re-done with a diesel engine. I am sure!
And those children who created a stir in that restaurant scene whereUncle Irfan (Urfi) lands himself in trouble having got his pocket picked and arriving at my thana….those children must be busy in their jobs somewhere…that they must know that they are fondly remembered.
A lot of hard work went behind producing the PTV plays those days. For example, three mandatory reading rehearsals were heldat PTV centers for three consecutive days before the recording day. On the day of recording, dry rehearsal was followed by moves.
The rehearsals and recordings used to take place at the smallest of the smallest studio of Karachi center – the Studio “A”. But somehow with all the positive energy it felt as big as the Bahria Auditorium of today. The cast of the drama used to gather around at 9 a.m. and then they would spend the whole day in recording.
Around 6:30 p.m. the huge and heavy VTR tape was taken to the editing. After necessary editing was done the VTR was handed over to the MCR (Master Control Room) to run it on-air from 8 p.m. sharp.
There were advertisements in those days too but inspite of being in black and white they were more colorful than the advertisement of today.
Of those from Uncle Urfi cast and crew who have left us for heavenly abode are Jamshed Ansari, Azra Sherwani, Qurban Jilani, Imtiaz Ahmed, Aunty Khurshid Mirza, Cameramen Faisal Nadeem and both the Producers; Mohsin Ali and Shirin Athar Vaqar Azim.
Uncle Urfi was the only serial Shahla Ahmad acted in. There was one long play from PTV Karachi right after Uncle Urfi titled Guryawhich was done by Shahla. It too was written by Hasina Moin and Produced by Shirin with Azra Sherwani, Manzoor Qureshi, myself and the child star Zeba daughter of Mehr Rizvi. That playGurya entered a TV Drama Contest in Japan and won an award which Shirin went to Tokyo to receive. After that Shahla Ahmadalso did a long play from PTV-Rawalpindi with Salim Nasir and thereafter got married and settled in Canada.
Those who have seen Uncle Urfi will agree with me that such powerful family (and Black and White) dramas of PTV can never be produced again – either by any private Production House or the PTV itself. Such serials live forever.
Raju Jamil.
Posted in Entertainment in Old Karachi, Media in Old Karachi, Uncategorized | 2 Comments

Pakistan TV Most Loved Drama Series 1970s

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PAKISTAN TELEVISION’s

Most loved drama series of early 70’s:

“Aik Muhabbat Sau Afsane”

AikMuhammatSauAfsane1970

 

I am a witness to a very large communities in Karachi going absolutely engrossed in each of the 13 episodes of AMSA which had in AIK MUHABBAT SAU AFSANE (One love and tales too many)
When Ashfaq Ahmed conceived the idea of the grandest and most popular series “AIK MUHABBAT SAU AFSANE” sometimes in 1972-73, from PTV-Lahore ——-not many may have known that most of the total of the 13 episodes of the most popular series “AMSA” were chosen from his collection of short and long stories titled “AIK MUHABBAT SAU DRAMAY” being afsane on a very close look into the true values, woes, tales of our high and middle class society, literature, the country with a large component of entertainment and perhaps perhaps even Ashfaq Ahmed himself may not have thought that AMSA would be the most successful series of those “13” episodes selected from his collection “AMSD”…..each with a different story under the title——-and that it would be honoured as one of the legend of the PTV of 70’s which would also be be reincarnated in colour decades later by Ghazanfar Ali of IndusVision…one of the prominent producer at PTV during that era (also the Producer who started “Waris” from PTV-L).
Both; Ashfaq Ahmed and his amazing grace Bano Qudsia, also didn’t know that their very close friend Jamiluddin Aali’s (Bano Qudsia being his moo boli behan) son, would one day, go to every nook and corner to find out all the names of those “13” episodes that he himself did two with a minor and major roles during his frequent visits to Lahore that he was a scot free young man then and strongly believed in not being mean and concerned to himself but in creating memories to share with the forthcoming world if Almighty would provide him opportunities to do so.Therefore, ladies & gentlemen, boys & girls, I would like to record here for history sake that “AIK MUHABBAT SAU AFSANE” had 13 episodes in series of which the most popular was “Qurat’ulain” which had the beautiful, simple and most apt for the title role, new find, Naveen Tajik….and it seems that like Shahnaz Shaikh, she too didn’t do many plays on PTV yet PTV’s golden yesteryears still have her name in a few top noted ones for obvious reasons. Naveen, it is said, is Masha’Allah, happily settled probably in States and probably a grand mom now. Not many would know that Naveen’s role in the coloured “Qurat’ulain” of Ghazanfar, was done by Arjumand Rahim we address as Shuggu also.
“Aik Muhabbat Sau Afsane” has left such a huge impact on the TV Industry of Pakistan for its perfection in script, direction, casting, the artiste and the simplicity of sets with mesmerising background music at some points. It was the dreamy series..the series presenting each and every play which left a very lasting impression due to the depth of story and environment.Giant Producers and equally giant cast a booty of artiste, all justified their existence in this most remembered drama series of PTV from Lahore and I urge upon the PTV Management to re telecast the series with huge pomp and show to relive the grandeur of the drama and in Pakistan born in PTV—-well fed, bred and nurtured but only to boot it out of its premises so ruthlessly… I should say!
The collection of Ashfaq Ahmed’s “Aik Muhabbat Sau Dramay” (1969-70): > 1. Qurat’ulain > 2. Ijtebye Nazar > 3. Dada Aur Dildada> 4. Maakoos Rabtay> 5. Maraat-e-Muhabbat> 6. Aghosh-e-Vida> 7. Daastan-e-Habib> 8. Daz-e-Kowl> 9. Sanam Gazeeda> 10. Deeda-e-Purkhoon> 11. Shana-e-Saba> 12. Sanam Goth Jo Driver> 13. Afsoon Khuwab> 14. Chaangarh> 15. Ghareeb-e-Shehar> 16. Mahe Kunan> 17. Himmat Batil> 18. Ajar-e-Aswad> 19. Zood-e-Pashieman> 20. Madane Muhabbat.> 21. Nird-e-Baan-e-Irfan> 22. Labaik Labaik.
And…..the name of the sub titled plays under the series “AMSA” based on AMSD:
1. Qurat’ulain
2. Ijtebye Nazar
3. Dada Aur Dildada
4. Maakoos Rabtay
5. Maraat-e-Muhabbat
6. Aghosh-e-Vida
7. Daastan-e-Habib
8. Sanam Gazeeda
9. Deeda-e-Purkhoon
10. Shana-e-Saba
11. Afsoon Khuwab
12. Ghareeb-e-Shehar
13. Mahe Kunan.

I have the honor due to privilege of having known Ashfaq Chacha closely like a family member, to have been in the cast of plays number: 3 and 6.

Raju Jamil, Karachi.
Posted in Entertainment in Old Karachi, Uncategorized | 1 Comment

Pakistan TV Karachi Shows in 60-70’s

PTV KARACHI’S MOST POPULAR FROST SHOW WE PRESENTED AS “GAR TU BURA NA MANAY”

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*Raju Jamil*

“Sach Khedoun Aie Barhamin…Gar Tu Bura Na Maanay
Tere Sanam Kadoun Ke Butth Ho Gaye Puranay”

This famous verse of Allama Iqbal had a whole meaning that one of its line was adopted by PTV-Karachi’s GM Aslam Azhar to create a comedy show—the Frost Report of David Frost kind—-in 1969 as “Gar Tu Bura Na Maanay” which had Mohsin Shirazi as it’s “David Frost” supported by a stock cast of four; Zafar Masood, Mohammad Yusuf, Zahoor Ahmed and Shahnaz Ghani (of “BAMBI” child wear outlet since 60’s).

“GAR TU BURA MAANAY” (GTBNM) was hilarious and a parody of many of our customs held during marriages. It was mostly a satire well presented in a formidable style with boxed laughters and sometimes generating a roar of laughter from the viewers of the only network in Pakistan then.

The ongoing golden jubilee year of television in Pakistan…essentially PTV….has many a tales to talk about and remember–from each of it’s several centres which all–produced some most remembered dramas, talk shows and events which remain as infectious as ever. When the private networks will celebrate their golden jubilee—if they reach that point—all people will remember will be advertisements and political battles with no results they were subjected with …every day but never never on Sunday:)

GTBNM…. ran for several weeks and took a break when Aslam Azhar, the Wizard of PTV left for Islamabad on a higher assignment..later becoming the only and ever MD of PTV and later Chairman of PTV and Radio Pakistan. No one has held such combined assignment at Ministry of Information..here in Pakistan. Hail Aslam Azhar! He should be awarded NISHAN e Imtiaz on 26th November, 2014 when (or if) the Ministry of information finds time to celebrate such an important event of this wonderful Nation Pakistan. I am certain to have a million “aye’s” on my recommendation above for Aslam Sahab.

GTBNM…..made a come back in 1970-71 with the same name and this time Neelofer Alim Abbasi, Zeenat Yasmine, Qazi Wajid, Shakeel Chughtai, Khurshid Talat and myself were stock artiste and after a few weeks—my friend the producer Ishrat Ansari told us or rather gave us a surprise that the name of GTBNM has been changed to “Sach Jama Jhoot Battaa Dou” (Truth+Lies/2) which was presented before a live audience at the open air stage of Hotel Metropole. The excitement of East and West separation had gripped the Nation and in order to suitably stage a media war against our neighbours…this stage show turned into a satirical one focusing on our enemy….and indeed it was a success that the live audience was jam packed and the regular telecast was keenly awaited or in today’s nomenclature…the “rating” was very good ( I can never understand this anomaly of the word RATING which appears to be too sacred and pious for some of the networks—:) ha ha ha ha ).

GTBNM….from PTV-Karachi will always remain in the minds and memories of those 50+ who saw that beauty of the sitcom and such sitcom can never ever be produced again…..unless it’s sponsored which is one good thing to mess up something great of the last without risk–:)

Thank you Aslam Azhar Sahab, Mohsin Shirazi (where is he? How is he?) and so fondly the late members of the stock cast; Zafar Masood, Zahoor Ahmed, Mohammad Yusuf remembered. RIP all of them. The then viewers who are around these days do thank you for giving them an entertainment worth every second of watching it.

PTV has carved its name so strongly that it needs to continue with its great deeds well mixed with the achievements of past and the new dawn of current era.

“Sach Khedoun Aie Barhamin…
Gar Tu Bura Na Maanay

Tere Sanam Kadoun Ke
Butth Ho Gaye Puranay”

Raju Jamil,
PTV Drama Debut 2nd Dec-1967

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Institutions Involved in Preserving Karachi Heritage

Marvi Mazhar & Associates is an independent architecture and design studio, nestled under the shade of a Pisonia tree in Karachi, Pakistan. The studio is guided by the principles of regional architecture and specialises in restoring historic buildings, managing conservation assessment studies, and conducting social research and documentation.
More to be added as we discover them;
Amin H. Karim MD
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