PAPER BOATS

PAPER BOATS.

By Michael Meik

A few weeks ago, it was the start of the fall season, and I was looking out of my apartment window, the sky was overcast and it had started to rain. My balcony door was open, and having not rained in a while, the ground was dusty, and the fresh scent of the damp earth rose up to my apartment. It smelt really good, so I decided to go downstairs and sit on the covered bench at the entrance. Just then a couple of excited kids came rushing out of the building in their raincoats with their dad, they had an exercise book with them and walked out towards the little puddles that had formed in the front courtyard, and he was showing them how to make paper boats. I noticed they were the same kind we made when we were kids, and it brought back a flood of memories from my own childhood.

It was 1972 and I remember when I was in the 5th grade at the P.A.F. Model School on main Drigh Road, our young class teacher Miss Ruben was telling us the story of Noah and how it rained for 40 days and 40 nights, and how all the animals came on board two by two so they could be saved from the floods. While telling us the story, she was building a large model of the Ark with us. I think it must have been a model kit, as there were little plastic animal figures that went into it. However, it was not much fun, as we could not test out the boat anywhere. We wanted to see it float.

This inspired us to build our own boats and test them. Our classroom was on the first floor of the original sandstone building, and that afternoon there was a torrential downpour, and through our classroom window, we could see large pools of water forming in the maidan behind the school, this field was used for most of the school’s sports activities throughout the year.

Four of us made a plan to sneak out of class, making excuses to either get a drink of water or go to the washroom, not forgetting to take our exercise books with us for raw material. We gathered behind the newer row of classrooms that had been built along the boundary wall, then crept out through the unmanned back gate, which always squeaked when you moved it. Luckily, because of the rain, no one heard the noise, or so we thought. Once safely outside, we started ripping out the pages from our books and made at least 40 to 50 boats and we set sail in this large muddy pool which was about six inches deep. We then started splashing around in the water, throwing rocks to sink each others’ creations, stirring up the thick clay from the bottom.

We were having a blast, oblivious to the fact that our sports teacher, Squadron Leader Aaqil was standing right behind us in his always neatly pressed white pants, T-shirt, and tennis shoes. One of the boys threw a rock, which landed right at his feet, splashing him with clay-filled water, and he yelled at us. We froze, not expecting to see him there, that was the end of our fun and games for the day. We were all marched off to our principal, Simon D’Lima’s office, which was at the other end of the school, it meant we had to go past nearly every classroom on the way.

Walking in silence behind him, our shoes now completely soaked with water were making funny squishing sounds, and with every step, muddy bubbles would rise out of the top of our shoes, we could not stop giggling, Mr. Aaqil, a slim man with a large mustache, would turn around and give us this big eye stern look, but every time he looked ahead you could tell he was smiling to himself.

The rain had more or less stopped by the time we got there, and the slushy clay-filled water had started to dry on us. When we entered the office, the secretary Elizabeth seemed in shock when she saw us. She was asked to call our fathers who were all in the Air Force and working on the base. We were told to wait outside on the verandah and not drag the mud into the office, and by the time the dads showed up, the slush had dried hard on us, it was in our hair and our nice crisp uniforms were anything but, we were a sight to behold.

The other fathers arrived and were trying to be serious and scold their sons, when my dad turned up, he burst out laughing when he saw us as to how funny we all looked, this got them all going, probably thinking back to their own childhood and the mischief they got into as kids. With the rain completely stopped and the sun shining, the gardener was called and instructed to take us out on the lawn and hose us down to get the mud off. Even though school had just ended, and everyone was standing around us watching the spectacle, it did not bother us in the least, it was one of the most memorable fun days I have ever had at school.

May be an image of sail, boat and body of water

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PRESERVING KARACHI’S HERITAGE.         A Glimpse into the Past and a Vision for the Future

By Menin Rodrigues

October 28, 2023 – KARACHI, once hailed as the ‘one of the beautiful cities, East of the Suez,’ has a rich historical tapestry woven with the threads of colonial architecture. Classic structures, meticulously carved from stone, stand as the silent witnesses to an era when the city was envisioned as an Eastern jewel of grandeur, rivaling European counterparts.

These architectural marvels, now overshadowed by a congested cityscape and prone to destruction, hold the power to connect us with Karachi’s vibrant past. Yet, many of them have fallen into disrepair, defaced, or vanished entirely, leaving behind questions about their fate.

What will become of Karachi’s magnificent architectural remnants, and why were they allowed to crumble? Let’s delve into the past, reflect on the present, and envision a future where these heritage structures are protected and celebrated.

A Glimpse into the Past

The colonial legacy of Karachi, which dates to the British Raj, brought forth a treasure trove of architectural wonders. These structures, predominantly constructed during the 19th and early 20th centuries, reflect the aesthetics of their time and the aspirations of a city brimming with potential. The city’s strategic location as a bustling port, connecting the East to the West, spurred development, and investment.

Randomly noting, one of the most iconic landmarks of this era is the Karachi Municipal Corporation (KMC) Building (1927), an exquisite blend of Indo-Gothic architecture. With its pointed arches, ornate balconies, and intricate carvings, it stood as a symbol of the city’s prosperity and sophistication. The Frere Hall (1865), built in the Venetian Gothic style, once served as a library, and now stands as a cultural center. These buildings, and many others like them, were not just architectural wonders but also repositories of history, culture, and the dreams of a bygone era.

The Present: Neglect and Defacement

Regrettably, after partition and as Karachi surged into the 21st century, many of these wonderous masterpieces fell victim to neglect and vandalism. The historical significance of these structures often seemed lost amidst the clamor for greed and modernization. The once-pristine facades are now marred by grotesque defacing and graffiti, encroachment and the grand interiors have succumbed to decay, collapse, and demolition.

The KMC Building, which once exuded elegance, now stands as a stark contrast to its former glory, with fading color and structural damage. It is not an isolated case. The Empress Market, another architectural gem, has faced a similar fate, though encroachments around it have been removed. Once a bustling hub of commerce, it is now overshadowed by haphazard additions and neglect. The story is replicated across many other structures that have witnessed the ravages of time, both natural and man-made.

Envisioning the Future

The plight of Karachi’s architectural heritage is a matter of concern, but it’s not too late to rectify it. Several private organizations and individuals have undertaken measures to highlight this issue and are making efforts to redress the problem, but it is like a voice in the wilderness. Official patronage and legal protection are necessary.  

The website of the Culture, Tourism, Antiquities & Archives Department, Government of Sindh notes in its introductory page, “The Protection of Heritage Buildings of the province is done through the regulatory regime under Sindh Cultural Heritage (Preservation) Act, 1994.”

It’s time to consider what should become of these historic structures.

1.    Restoration and Preservation: The foremost step should be the restoration and preservation of these architectural treasures and protected by law! By investing in skilled restoration, we can ensure that these structures not only stand the test of time but also serve as cultural and historical assets for generations to come. Government bodies, local communities, and heritage organizations can collaborate to fund and oversee restoration projects within stipulated time frames.

2.    Adaptive Reuse: Instead of leaving these buildings to languish, they could be given a new lease on life through adaptive reuse. These structures could be repurposed into museums, galleries, community centers, or activity venues, preserving their historical value while making them economically viable.

3.    Education and Awareness: To garner support for the preservation of Karachi’s architectural heritage, it is crucial to educate the public about the historical significance of these structures. This can be achieved through school programs, heritage walks, and exhibitions.

4.    Legal Protections: Implementing stricter legal protections for heritage buildings can deter vandalism and unauthorized alterations. Legal measures should be accompanied by a robust enforcement mechanism to ensure compliance.

5.    Public-Private Partnerships: Collaborations between the public and private sectors can provide the necessary resources and expertise for restoration projects. Tax incentives and grants can encourage private investors to participate in the preservation of these landmarks.

6.    Museum of Architectural Heritage: Celebrate the beauty of architectural diversity and showcase a captivating repository of the city’s history. Display curated exhibits showcasing timelines and eras, styles, materials, and craftsmanship, providing a unique perspective on the city’s cultural and historical narrative.

Karachi’s ancient structures, with their rich history, and architectural beauty, are more than mere edifices; they are fonts of the city’s past and a source of pride for its future. It’s time to turn the tide, accept and respect the city’s antecedents, and ensure that these treasures are not allowed to crumble into oblivion. I have ‘short-listed’ 100 such marvels constructed between 1840 to 1947, protect them before they vanish!

Restoration, adaptive reuse, education, legal protections, public-private partnerships, and a museum, will all have a role to play in preserving Karachi’s architectural heritage. By embracing these steps, we can honor the vision of a magnificent Karachi and leave a legacy for generations to come. After all, history is not something to be buried in the past but cherished in the present and safeguarded for the future. © Menin Rodrigues

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Hotel Metropole in the 1950s

by Raju Jamil

Hotel Metropole was inaugurated sometime in 1953-54. Owned by Minwallas, HM was the 2nd decent and worthwhile hotel of Karachi (after Beach Luxury Hotel of Avaris..which came up in 1948)

The main entrance of HM from the Sindh Club side was glorious.

We had midgets (bow nay) on duty at the entrance gate and at the old fashioned grill lift operated manually.

Surrounded by the four sides of the hotel was a huge lawn and a stage where I have attended at least 12 Christmas parties…and during the three consecutive ones, my Garden Rod Colony neighbor; Shaukat Aziz was with me.

From 1957 to 1962 my father’s eldest sister Princess Mehr Bano Begum of Mamdot stayed in HM as a long staying guest in room no.20 on 2nd floor. She died in this hotel…in 1963.

The top floor of the hotel was all round….fully occupied by the famous German airline LUTHANSA for it’s slip flights crew and offices.

The entrance to the hotel from Services Club side had a huge ballroom where I have attended New Year Eve. HM had three Bank branches of ; HBL, Grindlays and MCB. I remained posted in HBL at HM from 1972 to 1974 July.

HM had a huge office of the famous American airline PAN AM (as seen right the front centre view) and HM also had the most famous Chemist shop at the left row of this view right next to the Gerry’s Travels who’s owner Gerry Rosario died in PIA’s Cairo Aircrash of 1964. His wife worked hard and maintained the travel agency for sometime. A little later UBL opened its branch there.

By 70’s the hotel got itself..under it’s own management, two of the most reckoned night clubs; in fact one a Discotheque namely “Karachi Discotheque” on the first floor and a night club “SAMAR” which were decorated royally with chamois sofa seat covers and beautiful candle stands with coolest air-conditioning you can feel in Genting Highland, Malaysia or in Salalah, Oman now….. It had a chilling effect and the liquor with imported sifts drinks in cans like coke and pepsi. The food was awesome and so were the people. SAMAR always had a Foreign Band in attendance….with some great numbers like “Yesterday Once More” and “Mardi GRAS” not go forget that French romantic hit Je’Taime for slow dancing. We divided the weekends in two each for SAMAR and Karachi Discotheque…. as both the places had a different mood and ambiance…. SAMAR more of ballroom dancing and light music with live shows and KD with more of Rock n Roll and Twist numbers…..The famous Christian local band IN CROWD were amazing and mesmerizing at the KD and I think in SAMAR also.

KD has great memories of knuckle duster fights arising out of some bullys getting drunk after one or two glasses….and then the flying handle and sometimes knives even but never a gun!!

Hotel Metopole had an AC in every room… I remember the make “Welbilt” and “Westinghouse” which had chilling effect. The first floor had many offices by the 70’s including GULLIVER TRAVELS of Nawab Kaifi husband of our TV Artiste Ghazala Kaifi. The rooms were larger then the ones PC has now…and the view from the Sindh Club side was beautiful… You could see the lush green lawn of Frere Hall even.

Right on the road touching the shop pavement of HM in front of HBL… a man use to showcase some retrievable parts of ships he use to get after the ship were scrapped in HUB Chowki, Karachi. Ship locks, Helms, Bell….et al were promptly displayed every day scattered on the roof and bonnet of my phoppi’s PREFECT car…..which eventually went to that old man as a gift from the Princess. my phuppi.

During my HBL days…not very long but relatively limited to two years before I joined UBL, we had many staff of PIA Shafi Courts Booking and District Sales Office next to Karachi Gymkhana visiting and and us visiting them for distribution of their salaries in cash…. I remember people like Abdullah Jaffery, Mrs. Munaf, Shahida Jaffery (wife of our dear departed TV Artiste Saleem Jaffery.. A Unikarian) and another female employee (now) the wife of former Governor SBP Saleem Raza….who all became so cooperative that we enjoyed preferred booking on priority through hand written PIA tickets then.

Mr. Malabari, the Chief Accountant at HM gave me special discounts at SAMAR and KD with two times a month free entry/dinner etc for four……..

Entering Hotel Metropole gave you a totally relaxed feelings. I can never forget it’s cupcakes and special large size pastries…. Malabari use to send us at the branch.

The new year parties were a fairytale that still looms o wonderfully in our minds. Of those NYP at HM……all had live bands and I can never forget my tuxedo which my father had bought for me from Hong Kong in 1967…..which gave me an extra advantage with a black bow, a golden sleeveless Texan jacket with tux having shinny selvedge on coat collars and trousers sideline that sanding to the music of Ce Sera Sera played by Defenders at Hotel Metropole’s ballroom was ever mesmerizing….. I attended 2 NYPs till 1970 at HM.

The history has it that the American actress Donna Reed spent two nights at HM when she was flying from London to Bangkok by PAN AM. She had desired to see Frere Hall and Jehangir Kothari Parade in Clifton. The American Embassy took care of her. That was probably in 1964. I saw her at the lobby of HM being received by Happy Minwala’s father…….

Our famous actors of that era like; Sabiha, Santosh, Nayyar Sultana, Bahar, Shamim Ara, Darpan….all use to stay in HM whenever on shoot in Karachi. In fact the famous movie “Saheli” starring Shamim Ara, Darpan and Nayyar Sultana ( also linked as a copy of Indian hit ANDAZ ) also has a song which mentions the glory and modernism of Hotel Metropole by words..sung by Irene Perveen.

The most famous outlet in HM was the Universal TDK/AKAI shop facing the Princely Travels adjacent to the other famous spot AMPIS SHEZAN…which still survives. That was the era of tape recorders and big spools recorded with music or speeches and fixed with two spools to loop the tape passing through a small gadget which carried the head having the system to read the magnetic tape ( just like the strip on your credit/debit visa card which carries your data ) and reproduce whatever recorded through a mic or direct cable system.

The best known TAPE player one time and for long was AKAI….and I still have over 12 spools in my archived collection from 60’s and 70’s…… Our famous (Fifty-Fifty) TV artiste Adil Wadia use to work for Universal / AKAI. I had many cassettes and spools taped with my favorite songs there. In fact, if you pass between HM and AMPIS SHEZAN…you ca n still see UNIVERSAL/TDK closed shop.

Another huge attraction to have tea or ice cream in HM’s coffee shop was the adjacent PALACE Cinema which was a small yet most visited cinema hall of Karachi for comedy and slapstick movies—specially the Sunday morning shows at 10 AM ( yeah….people were mad enough …..then that they got up at 8 AM for breakfast with the entire family or joint family and put on the radio to enjoy the special Sunday morning program “Hamid Mian K Yehan” with laughters and proximity…. ).

Palace has now become shaadi gharr….the only development seen in this nation of 180 million if we are to talk about what have we achieved past 64 years? We now have shaadi ghars all over this land…!

Hotel Metropole, Karachi has a huge history matching it’s size of plot now in a battle in court as KRAMER VS KRAMER !!!

May be an image of skyscraper

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A Glimpse Into An Era of Tranquility And Simple Pleasures of Life.

By Menin Rodrigues

When time stood still in Karachi:
A GLIMPSE INTO AN ERA OF TRANQUILITY AND SIMPLE PLEASURES OF LIFE

In the bustling metropolis of Karachi, Pakistan, an era once existed where time held a
different value, and leisure was defined by simple joys and human connections. This
city, known for its vibrant culture and dynamic energy, was witness to a time when
technology had not yet woven its intricate web around human lives. It was an age of
tranquility, a period when children, youth, and adults alike engaged in activities that
nurtured bonds, fostered community, and celebrated the art of living in the moment.

As the digital age surges forward, with the omnipresent internet shaping the contours of
modern existence, a lament arises for the intangible treasures that have been
overshadowed. The era of connectivity and information has given birth to a new way of
life, marked by the screen’s glow and the allure of virtual realms. Yet, in this transition,
the profound value of face-to-face interactions, outdoor games, and unstructured leisure
time has receded like a distant tide, leaving nostalgia in its wake.

The journey from then to now is a tale of progress, innovation, and advancement.
Television, once hailed as a marvel of technology, captivated families, and individuals
alike in close nit neighborhoods, drawing them into the realm of fantasy. Eventually, the
internet emerged as the catalyst for a global village, shrinking distances and expanding
horizons. The past yielded to the present, not in resistance to change, but as the
foundation upon which the present stands.

However, as society embarked on this evolutionary trajectory, it also waved goodbye to
the unhurried cadence of yesteryears. The cricket matches played in narrow alleys, kite-
flying everywhere, the hopscotch chalked onto pavements, and the communal laughter
echoing across parks and ‘maidans’ – these vignettes of leisure painted a portrait of a
simpler time, when joy was found in shared moments and the embrace of real-world
experiences.

It’s undeniable that progress has bestowed countless gifts upon humanity – from
medical breakthroughs to space exploration. The march of time, unyielding and
unstoppable, ushers in the new while nudging the old towards antiquity. The past, with
its sepia-toned memories, becomes a repository of sentiments, an era of reminiscences
that reside in the hearts of those who lived through it. Yet, no matter how advanced
society becomes, the allure of those bygone days persists as a testament to the beauty of
simplicity.

Time, akin to a flowing river, cannot be diverted or held back. It rushes forward,
carrying with it the stories of generations and the echoes of history. In Karachi, where
life has perpetually pulsed with an irrepressible energy, time has been both a companion
and a marker of change. As children frolicked in the open spaces, adolescents engaged in
spirited competitions, and adults found solace in leisurely conversations, the city’s
heartbeat reverberated with the rhythm of human connections.

During this time, wars were waged and concluded, economic tides surged and waned,
and innovations reshaped the landscape. The world was not a static tableau; it evolved
in parallel to the passage of time. However, the essence of those years lies not in the
grand narratives, but in the intimate narratives of everyday lives. It’s the memory of
warm afternoons spent under the shade of trees, the anticipation of the evening game of
cricket, hockey or football, a multitude of games we ‘invented’ and played in
neighborhood compounds and the joy of sharing anecdotes that now form the tapestry
of recollections.

As Karachi, much like the world at large, embraced the digital age with open arms, the
contrast between the eras became stark. The city that once resonated with the shouts of
children and the laughter of families now hums with the whirr of gadgets and zombie-
like individuals glued to their devices. The shift is emblematic of a global phenomenon –
an intricate interplay between the allure of technology and the yearning for simpler
times.

In essence, the world that was once shaped by the touch of human hands, the echoes of
conversations, and the resonance of genuine laughter now finds itself woven into an
intricate web of cables and signals. Progress is not inherently negative; it’s an
embodiment of humanity’s thirst for knowledge, growth, and exploration. Yet, as
Karachi’s landscapes transformed to accommodate towering skyscrapers, bustling traffic
and an exploding population, the yearning for the past’s gentler pace remained, an
undercurrent of nostalgia that refuses to be silenced.

The Karachi of yore stands as a testament to a time when life moved at a different pace,
where the concept of leisure was entwined with human interactions and simple
pleasures. The transition to the present, shaped by the relentless march of technology,
has bestowed undeniable benefits upon society. However, it’s also cast a nostalgic light
on the days when time seemed to stand still, when the greatest riches were the moments
shared, the games played, and the connections forged.

As the world hurtles forward, perhaps there lies a lesson in revisiting the ethos of that
bygone era – a reminder that amidst the cacophony of progress, the value of time well
spent, and the purposeful embrace of leisure – the sanctity of human bonds should
never be forgotten. © Menin Rodrigues 310823

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The Case of Karachi (Book Launch)

May be an image of map and text

By Dr. Yasmeen Kazi

Yesterday, I went to the Press Club for the launching of Propf. Aijaz Qureshi’s book, The Case of Karachi, translated into English by Abdul Malik Soomro. It is an account of the history of Karachi from 1947 to 1970. It is an interesting, authentic account, supported with documents.
Some of the speakers at the event were economist Kaiser Bengali, Karamat Ali, architect Arif Hasan. They revealed some interesting facts.When Karachi was made the federal capital, a loan was asked from the Sindh Government. M. A. Khuhro was asked to pay Rs. 30 crore at 3 % interest. The amount has not been received yet. In 1960, when One Unit was made, the Sindh government was asked to pay another Rs. 30 crore. That has not been repaid. If Karachi becomes a separate province, Rs. 60 crores will have to be paid to the Sindh government.
Kaiser Bengali said that Thar Coal generates the biggest revenue for the Sindh government, being owned partly by Engro and partly by Sindh government. Karachi as a separate province will be deprived of that. The water supply to Karachi is from the Indus River. If Karachi is separated and water supply is by desalination of sea water, it will cost twelve times as much.
Karamat Ali had some interesting stories to tell. His folks migrated from East Punjab in 1947. He repaeated the story that going through Punjab, the immigrants were told that Pakistan was further ahead until they reached Sindh. He said that when there were riots and massacres in Bihar, G. M. Syed went to Bihar himself to fetch the affectees. He brought them to Karachi and made Bihar Colony for them. Rasool Buksh Palejo and his family waited for the trains to arrive from India and supplied food to the immigrants.
Karamat Ali also mentioned that he had been to Jhirk. He visited the old school there and in the primary school register there, he saw Mohammed Ali Jinnah’s name. He said that Jinnah was born in Jhirk and not in Karachi.

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The Christian Sprinters of Pakistan: Lest We Forget

By Menin Rodrigues

TORONTO: August 15, 2023 – In the realm of athletics, Pakistan in its fledgling years
witnessed the emergence of extraordinary talents from various communities,
contributing significantly to the nation’s sporting legacy. Among these remarkable
athletes, the Christian Catholic community of Karachi played a pivotal role in shaping
Pakistan’s sprinting prowess, in both the men and women categories.

Though there have been several Christian athletes in various sports and disciplines, this
article is focused on track & field sprinters only. Among men, Paul Alphonso, John
Permal, Xavier D’Costa at the national level; and Carmen D’Souza, Leslie Vaz, Hubert
Reynolds, Valentine Gonsalves, Terence Andrade, Anselm Joseph, Rui Britto, William
Monteiro, Menin Rodrigues, Stafford D’Souza, Peter D’Cunha, and Jeffery U’Chong
excelled at the provincial, university and board levels. Among the women, were
Henrietta Braganza, Sophie Fernandes, Maria Lawrence, Dolores Almeida, Rosie
D’Lima, Sylvia D’Mello, Rosemary Pinto, Bernadette Pinto, Cheryl Lucas, and Tania
Fernandes, all at the national, provincial, university and board levels.

With their remarkable natural ability, speed, agility, and unwavering determination, these
Christian-Catholic sprinters from Karachi dominated the 100 and 200-meters events for
several years while in their competing prime. This writeup aims to shed light on the
talents and achievements of some of these exceptional individuals, highlighting their
contributions to Pakistan’s athletic history, and is being recorded for posterity in
recognition of their extraordinary aptitudes.

Athletes hailing from Karachi’s Christian Catholic background, have been predominantly
in the forefront of producing some of Pakistan’s finest athletes. Their natural athletic
abilities, coupled with disciplined training, enabled them to excel in track & field events
and in particular, the sprints. They did not get any specialized coaching; their training
grounds were the schools they attended where sports were at par with academic
excellence, and the uneven cinder tracks of the YMCA and Railway grounds.
Throughout the 1950s, 1960s, and 1970s, these runners showcased their speed
consistently by participating in the Sindh and National Games and some going on to
representing Pakistan at the international competitions.

The core value of their chosen event, the sprints, was determined by their natural talent
to be faster (Citius in Latin) encompassing the first of the three citations of the Olympic
motto of Citius (Faster), Altius (Higher), Fortius (Stronger).

One of the most notable figures among the Christian sprinters of Pakistan was the late
John Permal, who held the title of the ‘fastest man in Pakistan’ for nearly a decade, from
1964 to 1974. Permal’s exceptional speed, explosive starts, and a flawless natural
technique made him a force to be reckoned with on the tracks, not just in Pakistan but in
Asia and Europe. He achieved remarkable feats in national and international
competitions.

Two other supremos to have participated abroad were Paul Alfonso and Delores
Almeida; and Paul in particular, was the dark horse who upset many a fearsome eight.
As a mesmerising schoolboy sprinter, his performances at the University and Board
levels earned him scholarships to further his education.

While Permal’s superiority earned him the distinction to compete at prestigious events
such as the Asian, Commonwealth and Olympic games; runners like Paul Alfonso,
Xavier D’Costa, among men, and Dolores Almeida, Rosie D’Lima, Sylvia D’Mello and
Cheryl Lucas were the fastest women athletes of Pakistan. All of them were gifted
sprinters with a natural ability to speed away with sprint titles wherever they competed.
They left an indelible mark on the nation’s athletic history and their achievements
extended beyond national competitions.

The success of Christian athletes, in any sport, has had a lasting impact on the
community itself, as well as on the wider Pakistani sporting fraternity. Their
achievements served as an inspiration for future generations of athletes, transcending
religious and cultural boundaries. They exemplified the values of discipline,
perseverance, and hard work, serving as role models for aspiring sportspersons across
the nation. Furthermore, their accomplishments contributed to the promotion of
inclusivity and diversity in the rank and file of Pakistani athletes.

Unfortunately, both track & field competitions in Pakistan and athletes from the Christian
community, have diminished over the years and not much can be written on what’s on
our plates in the current circumstances. If talent is sourced at grassroots level, nurtured
under professional coaching, given opportunities to compete in international meets and
suitably recognized, there is no reason why we cannot produce top-class sprinters like
Abdul Khaliq and John Permal – both among the fastest in Asia!

Lest we forget, let us remember these fine Christian athletes who won laurels for
Pakistan to prove that talent and skill knew no religious or ethnic boundaries. It was
their enthusiasm and response to the call of duty that made them stand out among the
best of the rest. Without any inhibition, and with merit personified, they simply breezed
through the wind in fierce competition, clinched glorious victories, alighted the podiums
to claim their gold, silver and/or bronze medals, and proudly flew the Pakistan flag,
epitomizing the proverbial Olympic oath:


“We swear that we shall take part in the games, in loyal competition, respecting the
regulations that govern them, and are desirous of participating in them in the true spirit
of sportsmanship (sportswoman ship) for the honour of our
country/city/school/community, and for the greater glory of sport.”

© Menin Rodrigues 2023

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A Trend in Historical Negationism

  By Menin Rodrigues    

                                                                                                                                                         

(Exclusive to this Group and GoodOldKarachi.com – Please share your views)

Introduction: Historical negationism, the deliberate falsification or distortion of historical facts, is a concerning phenomenon that erodes the collective memory and understanding of a community’s past. This essay focuses on the distortion of Karachi’s history, particularly in the context of destroying and defacing structures, names, signages, statues, and edifices associated with the city’s British, Hindu, Muslim, Jew, and other communities. The erasure or manipulation of historical markers not only undermines the diverse heritage of Karachi but also hampers the ability to learn from the past and understand the complexities of its multicultural history.

Preserving Historical Integrity: Cities are living organisms with layers of history intertwined in their streets, buildings, and landmarks. Karachi, as a melting pot of cultures and civilizations, boasts a rich heritage that reflects its diverse past. Preserving historical integrity is crucial to fostering a sense of identity and connection to the past for present and future generations. By eradicating or altering historical remnants, we risk losing valuable insights into the city’s evolution, its multicultural fabric, and the contributions made by various communities over time.

Diverse Heritage: Karachi’s history encompasses a multitude of influences, including British colonial rule, Hindu and Jewish communities, and other cultural and religious groups. Each of these elements has left its mark on the city’s architecture, art, and cultural practices. By denying or obliterating these historical elements, we not only diminish the contributions of these communities but also fail to recognize the complex tapestry that has shaped Karachi’s identity. A more inclusive approach would celebrate and commemorate the diverse heritage of the city, enabling us to better understand its past and appreciate the diversity that continues to shape its present.

Learning from the Past: History serves as a vital teacher, providing lessons and insights that inform our present and future. By distorting or denying historical facts, we rob ourselves of the opportunity to learn from the triumphs and failures of the past. The preservation of historical structures, names, signages, statues, and edifices allows us to engage with the history of Karachi in a tangible way, fostering a deeper understanding of the events, ideologies, and societal dynamics that have shaped the city. These physical remnants serve as a bridge between generations, facilitating dialogue, education, and the preservation of collective memory.

Preserving Pluralism and Tolerance: Karachi’s multicultural history is a testament to the coexistence and interchange of diverse communities. Erasing or distorting the historical markers associated with these communities undermines the principles of pluralism and tolerance that underpin a harmonious society. Acknowledging the contributions of different groups encourages respect, empathy, and a shared understanding of the city’s past. By embracing this diverse history, we pave the way for a more inclusive and equitable future, where the rights and experiences of all citizens are valued.

Conclusion: The distortion of Karachi’s history, through the changing, removal, damage, destruction, or disappearance of structures, names, signages, statues, and edifices, reflects a worrying trend of historical negationism. Therefore, to preserve the integrity of Karachi’s history, it is essential to acknowledge and safeguard the diverse heritage that has shaped the city’s identity. By recognizing the contributions of all communities and preserving historical remnants, we can foster a deeper understanding of the past, promote tolerance, and build a more inclusive future.

Historical negationism hampers our ability to learn from the past, erodes collective memory, and ultimately weakens the social fabric of the city. It is therefore imperative for Groups on social media who reminisce about the past to address the curse of distortion and denial and actively work towards a comprehensive understanding and preservation of Karachi’s multifaceted history. We owe our concerns for posterity. © Menin Rodrigues.

Protecting Heritage of Karachi.jpg

(Opinions expressed are those of the author)

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Hindu Gymkhana

By Dr Sohail Ansari

Recently two personalities related to Karachi passed away. The one factor to link them both is a building and the month of February:
Hindu Gymkhana.

The British Raj leased a land of 47,000 square yards, for 100 years in 1921, to Hindu Gymkhana. The construction commenced with a fervor and completed in 1925. The architect was Agha Ahmed Hussain who designed the building to a combination of Hindu and Mughal style. Jodhpur stone was used for the construction. It was the first building in Karachi made in the then-popular Neo-Mughal design. It was named Seth Ramgopal Goverdhandas Mohatta Hindu Gymkhana. It served as a club for the Hindu commercial elite that lived in Karachi in the years before the Partition in 1947.

Cricketer Naoomal Jeeomal in the 1930’s, was one of the productions from Karachi Hindu Gymkhana.

Following partition, it became an evacuee property and it got deserted. Over the years of neglect, the building got ruined.

In 1960, a movement was launched by Bhagwandas Chawla, Khubchand Bhatia, and Seth Motandas for the repossession of the Hindu Gymkhana to the Hindu community. It went to cold storage due to the 1965 war with India. Later, the movement restarted, but again got suspended due to the 1971 war.

For a very brief period in the 1970’s, it became a centre for Sindhi Arts and Crafts.

In 1978, almost 60 per cent of its land was given to the Police Department. A further about 6000 square yards were given to the Federal Public Service Commission. Another 3,500 square yards were given to the Aligarh Muslim University. Some 400 square yards of land was allotted to Mr Khan. Consequently, the gymkhana was reduced to and left with only 4,500 square yards of land to itself.

In General Zia ul Haq’s era a decision was made to sell the Hindu Gymkhana. P.K. Shahani raised a move and succeeded in getting the Hindu Gymkhana on the list of heritage sites under the Sindh Heritage Act. In 1984, the regime decided to demolish the building in view of its deteriorating condition. Heritage Foundation saved it. The department of Culture managed to get a plan for its renovation into a Museum of Folk Heritage.

At one point, the All Pakistan Newspapers Society run by Hameed Haroon desired to establish their offices on the site of the Hindu Gymkhana.

In 2005, General Pervez Musharraf handed the building over to National Academy of Performing Arts (NAPA) on a lease for 30 years. Zia Mohyeddin was the Founder and Chairman of NAPA. The new National Academy of the Performing Arts was opened on 1 February 2005 by President Musharraf.

Four years later, in 2009, the Government of Sindh sent a notice to NAPA to vacate and return the possession of the Hindu Gymkhana. The reason stated was that Napa had violated the lease agreement by illegally commencing the construction of an auditorium on the gymkhana premises which was a violation of the Sindh Cultural Heritage Preservation Act.

Various Hindu bodies, including Shri Ratneshwar Maha Dev approached the High Court in 2014 for getting the Hindu Gymkhana back to the Hindus.

Yet again, the Government of Sindh issued a notice for NAPA in 2018 to vacate Hindu Gymkhana, so that the building may be used as a heritage site. However, this long legal battle has yet to be resolved, and NAPA holds on to the building yet.

Late in 2021, the Supreme Court directed the secretary Heritage Department and the provincial law officer to submit a report with regard to shifting of the NAPA from the Hindu Gymkhana. In addition to that, the academy was also instructed to demolish the auditorium that it had constructed within the premises of the heritage site.

Status quo is maintained, the academy continues with its tenancy of the protected building.

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Jews In Karachi

By Dr. Sohail Ansari

Karachi’s Jews, mostly, belonged to India’s Bene Israel community, besides Bagdadi and Cochin sections. Some came in with British and others via Afghanistan. So much was the influence that one of them, Abraham Reuben, became the first Jew elected to Karachi’s city council. There were about 2500 Jews in Karachi before partition. In 1948, rioters burnt down the Megain Shalome Synagogue of Karachi and attacked some Jews, sparking their migration out of Pakistan.

“Moslem customers of mine,” wrote a Jewish merchant of Karachi, ”have advised me to go, at any rate for a time, to Bombay. But I am staying, and hope that nothing will happen. The last 400 Bene Israel here have now decided to emigrate; the synagogue has been despoiled of almost everything, including the silver ornaments of the Sifre Torah and even the carpets.

“A meeting was held recently to decide whether the synagogue building should be sold, and the proceeds distributed among the Jewish poor. A European Jew who attended the meeting opposed this proposal on the grounds that no synagogue should ever be sold.

But there is little doubt that if all the Jews of Karachi leave the city the Moslem inhabitants of the city will turn the building into a hotel, as they have already done in the case of abandoned Hindu Temples here,” the letter continues.

“Everything depends on the issue of the Palestine question. Should the final decision be favourable to the Arabs, or if the parties come to terms, there seems no reason to think the situation here will deteriorate. If — as we hope — Jewish aspirations in Palestine are fulfilled, then there will be great danger for all of us. The Government has assured the Jews of its protection; but, unhappily, we all know how easily the mob can be swayed by demagogues.”

“To Jews as Jews, we bear no malice,” said one of the Pakistan’s Prime Minister
Yet, the Election Commission of Pakistan reported in 2013 that 800 Jewish voters were registered in Pakistan.

And so a vibrant community of Karachi was lost.

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Singer S.B. John

By Azra Malik

Sunny Benjamin John, popularly known as S B John was a noted Pakistani ghazal singer. Born in October 1934, in Karachi to a Christian family. He studied at St Paul’s School. Inspired by his grandfather who was also a singer, S B John made his debut at the Radio Pakistan in 1950.
He rose to prominence after the release of his song ” Tu jo nahi ha toh kuch bhi nahi ha” for film savera in 1959. The song was a super hit across the border. S B John, became a household name overnight with his block buster song. This evergreen Pakistani classic was also sung by other singers too, but none of them sang like SB John, the original singer of the song.

During a conference, concerning minorities in Pakistan, more than fifty years ago, S B John placed a harmonium on the rostrum and sang in front of the then Prime Minister Zulfiqar Ali Bhutto and some of his ministers, a patriotic song, penned by Saqi Javed and composed by S B John.
“Ae arzz e watan to hi bata, ke teri sada per, kia hum ne kabhi farz se inkar kia ha ” There was a thunderous applause from the audience. The song was a question to a nation which had doubts about the loyalty of its minorities. Bhutto was stunned at the response and during the break time requested him to sing it again.

With the advent of Pakistan Television in 1960, he along with his two sons, Robin John and Donald John, who later became musicians, used to sing Gospel music on Christmas Eve on PTV.
His son Glenn John, also a singer, said about his dad that, he was an amazing father, old fashioned but there was a great friend in him. However he was a strict teacher when it came to music and was disciplined about art.

S B John was capable of singing in all genres yet his claim to fame is ghazal singing. He immortalised Ibn e Insha’s ghazal ” Kal chaudhvin ki raat thi ” which also became very popular.
He was not associated with any gharana of music and was among those singers of the country who had earned fame, solely through their hard work.

He also sang some romantic ghazals on stage, I searched for his ghazals on Google. While listening to them for the first time In his soothing voice, I was amazed at his richness of expression and the velvet quality in his voice having somewhat resemblance to Talat Mehmood’s voice. Some of the ghazals are .

* Hadse kaya kaya tumheri be- rukhi se ho gaye , sari duniya ke liye hum
ajnabi se ho gaye !

* Dekha unhain to apni tabiyat sanbhul gai !

* Raste bund kiye dete ho dewanon ke !

* Sajade e jazbaat mein woh nazuk muqam aya to kia karo gay !

* Mehke gayso rangeen anchal !

* Eik khalish ko hasle umre ra’ wan rehne dia !

I listened to all of them, simply superb, heart touching rendition!

Ranked in the list of the best ghazal singers of Pakistan, he was awarded ‘ Pride of Performance Award ‘ by the President of Pakistan in 2011 for his outstanding services in the field of music .
S B John spend most of his life in Karachi as he was more happy in the city where he was born. He was more concerned about the future of his children rather than his own career. With his passing on 5th June 2021, in Karachi. The city lost a talented son .He was the pride of Karachi ! RIP 

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